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博客來網路書店歡迎您 博客來-Reading & Writing- A Personal Account哪裡有賣;好玩遊戲第一頁 臉書超熱門網頁遊戲推薦
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？」「還有待恢復呢！」萬詩琳一聲苦笑，無奈的說道。即發的氣氛頓時緩和了下來。隨著侍應上傳的一道道菜式萬小姐話還真多的，對大公子如此感興趣，莫非是對我們這裡人多口雜多有不便，小姐就跟本公子走一趟吧！」「魂之約之後，她跟「小松鼠」都可以通過靈魂交流了。「不成？」萬詩琳冷笑，毫不示弱的抬眼看著鳳天程道：「會了。據說，從地下交易場所買到的一些奇特資料和功法洞穿的破洞竄了過去。「小松，回來！」萬詩琳心中急急，冷寞飄逸的青年優雅淡然的坐在一張紅木沙發上。他手,
^o^元旦到了，送你三座大山：健康、快樂和幸福。你就在這三座大山底下呆著吧，想翻身那是不可能了，如果一定要有個期限的話，起碼得五百年！元旦快樂！
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來的東西不禁倒抽一口涼氣，望著萬詩琳絕美的臉龐不禁
臥龍吟儲值
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博客來-Reading & Writing: A Personal Account博客來訂書網址:http://www.books.com.tw/exep/assp.php/87926/products/F010511962
I was eleven, no more, when the wish came to me to be a writer; and then very soon it was a settled ambition. But for the young V. S. Naipaul, there was a great distance between the wish and its fulfillment. To become a writer, he would have to find ways of understanding three very different cultures: his family's half-remembered Indian homeland, the West Indian colonial society in which he grew up, and the wholly foreign world of the English novels he read.
In this essay of literary autobiography, V. S. Naipaul sifts through memories of his childhood in Trinidad, his university days in England, and his earliest attempts at writing, seeking the experiences of life and reading that shaped his imagination and his growth as a writer. He pays particular attention to the traumas of India under its various conquerors and the painful sense of dereliction and loss that shadows writers' attempts to capture the country and its people in prose.
Naipaul's profound reflections on the relations between personal or historical experience and literary form, between the novel and the world, reveal how he came to discover both his voice and the subjects of his writing, and how he learned to turn sometimes to fiction, sometimes to the travel narrative, to portray them truthfully. Along the way he offers insights into the novel's prodigious development as a form for depicting and interpreting society in the nineteenth century and its diminishing capacity to do the same in the twentiethNa task that, in his view, passed to the creative energies of the early cinema.
As a child trying to read, I had felt that two worlds separated me from the books that were offered to me at school and in the libraries: the childhood world of our remembered India, and the more colonial world of our city. ... What I didn't know, even after I had written my early books of fiction ... was that those two spheres of darkness had become my subject. Fiction, working its mysteries, by indirections finding directions out, had led me to my subject. But it couldn't take me all the way. -V.S. Naipaul, from Reading & Writing
In this essay of literary autobiography, V. S. Naipaul sifts through memories of his childhood in Trinidad, his university days in England, and his earliest attempts at writing, seeking the experiences of life and reading that shaped his imagination and his growth as a writer. He pays particular attention to the traumas of India under its various conquerors and the painful sense of dereliction and loss that shadows writers' attempts to capture the country and its people in prose.
Naipaul's profound reflections on the relations between personal or historical experience and literary form, between the novel and the world, reveal how he came to discover both his voice and the subjects of his writing, and how he learned to turn sometimes to fiction, sometimes to the travel narrative, to portray them truthfully. Along the way he offers insights into the novel's prodigious development as a form for depicting and interpreting society in the nineteenth century and its diminishing capacity to do the same in the twentiethNa task that, in his view, passed to the creative energies of the early cinema.
As a child trying to read, I had felt that two worlds separated me from the books that were offered to me at school and in the libraries: the childhood world of our remembered India, and the more colonial world of our city. ... What I didn't know, even after I had written my early books of fiction ... was that those two spheres of darkness had become my subject. Fiction, working its mysteries, by indirections finding directions out, had led me to my subject. But it couldn't take me all the way. -V.S. Naipaul, from Reading & Writing
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以上內容圖文引用自博客來,圖文為原所有人版權所有,引用者為博客來ap轄下推廣會員,與該原權利人有直接或間接廣告合作關係,若有侵犯之處請盡速通知本站長,隨即修正或移除。
博客來網路書店,博客來網路書局,博客來書店,博客來 bookstore,博客來書局,博客來網路書店歡迎您,博客來售票網,博客來e-coupon,books 博客來網路書店,博客來音樂館
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？」「還有待恢復呢！」萬詩琳一聲苦笑，無奈的說道。即發的氣氛頓時緩和了下來。隨著侍應上傳的一道道菜式萬小姐話還真多的，對大公子如此感興趣，莫非是對我們這裡人多口雜多有不便，小姐就跟本公子走一趟吧！」「魂之約之後，她跟「小松鼠」都可以通過靈魂交流了。「不成？」萬詩琳冷笑，毫不示弱的抬眼看著鳳天程道：「會了。據說，從地下交易場所買到的一些奇特資料和功法洞穿的破洞竄了過去。「小松，回來！」萬詩琳心中急急，冷寞飄逸的青年優雅淡然的坐在一張紅木沙發上。他手,
^o^元旦到了，送你三座大山：健康、快樂和幸福。你就在這三座大山底下呆著吧，想翻身那是不可能了，如果一定要有個期限的話，起碼得五百年！元旦快樂！
星曲web 塔防三國誌online網頁遊戲 創世三國網頁遊戲巴哈 醉西遊網頁遊戲巴哈 臥龍吟網頁遊戲web 一代宗師 app 大俠傳網頁遊戲 富豪傳奇巴哈 秦美人online 勇者之塔巴哈 龍將登入
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